Brexit: we blamed the wrong people and are now on the wrong track

Today Article 50 is triggered and the UK begins the process of leaving the EU. How and why has this happened?

Last night Nick Clegg could be seen interviewing pro-Brexit voters in Ebbw Vale on BBC2's Newsnight.

These voters said they voted for Brexit because they didn't like the way EU money was spent on ridiculous dragon street sculptures and shiny buildings they didn't want.

What they wanted was their old steel jobs back or proper training and apprenticeships in new trades that were real.

Fair enough. But they blamed the wrong people.

It would have been the great and good in Wales who decided what the EU money was spent on, not Eurocrats.

And the jobs these steel workers lost went to Chinese workers, with whose wages they couldn't compete without subsidies.

It's the same in the US for steel and coal workers. And Trump's response is to repeal Clean Power legislation – as if it could give back those jobs.

But the train is going the other way, towards a clean energy future, and that is where the training of workers should be subsidised by the state if it wants to create real jobs that have a meaning and give back dignity to people and communities.

UKIP has lost its only MP. All the Brexit cheerleaders have vanished, abdicating responsibility for the decision they persuaded the nation was best – with a cocktail of what we now know were untruths.

No one had a plan – or intended to carry one out.

The real task all along behind Cameron's decision to call the referendum was the unification of the Tory Party.

That is now job done with the Tories set to rule forever in England, all opposition wiped out or in disarray.


Never mind the future prosperity of the country.

May is triumphant and although the Tories make mistake after mistake there's no one to call them to order.

I wish we could hold another Brexit referendum. Remain might well win now we know the emperor has no clothes.

But the right wing press, Paul Dacre's Mail, porn baron Richard Desmond's Express and the Barclay Brothers' Telegraph are still too powerful in shaping the flow of skewed facts to suit their warped agenda... to keep the Tories in power so they pay less tax.

Post-Brexit Britain is in crisis. But where is Captain Britain?

It's 40 years since Britain got its own Marvel superhero. To celebrate this anniversary Marvel has put out a new collection of stories, Captain Britain: Legacy Of A Legend. And guess who has written the introduction and some of the stories? 

This pick of stories from 1975-86 is a perfect introduction to the Union Jack-clad hero, and also strings together a virtually seamless single epic that launches the Brobdingnagian cast that has formed the bedrock of all his subsequent narratives.

But right now, Captain Britain does not have his own comic book, tv series, film or anything else except the odd appearance in other comics. There was talk of a tv series or a movie, but Marvel Studios has no plans for either (I asked them – even sent a script).

Is he having a mid-life crisis?

With a name like Captain Britain the character inevitably taps the many resonances of British culture. Different creators have picked up on different aspects: Spidey clone, Arthurian hero, secret agent, trans-dimensional warrior, Carrollian surrealist, and protector against the paranormal threats... 

Perhaps it's no coincidence that, right now, Britain itself is having a kind of identity crisis.

Since the 52%-48% vote to leave the European Union the country has been riven in a way not seen since the 1980s days of the miners' strike. Crimes of racism and homophobia have increased as queues at the food banks have lengthened and wage levels stagnated, and nobody knows where the country is heading. Political leadership is nowhere to be found and the country is stumbling to find its way in the world.

In the media, arguments rage over what it means to be British. Scotland, Wales and Northern Ireland are frequently at odds with the English government. Post-Brexit, here we are in our time of need.

But where is Captain Britain? Could he save us?

The character has, in some writers' hands, sometimes strayed far from his own core identity. Perhaps that is why he has never been as successful as Captain America or Spider-Man. His very name is problematic: what is he a captain of? Unlike Captain America he was never in the armed forces.

He is an orphan, a twin, from an aristocratic family fallen on hard times. He is a physicist who practices a form of magic. He is a liberal who wears the flag. He is the husband of a psychic half-fairy gypsy. He embodies, in other words, a mess of contradictions. Just like the United Kingdom.

Lately I've been thinking a lot about him. I've been trying out all kinds of storylines, including a reboot in the manner of Marvel's Ultimates series. I'm still thinking.

I have come to believe that key to his potential mass appeal is his ability to be a slate onto which others will project their hopes, wishes and fantasies about what he might be and what values he might represent. Yet he himself is his own man, picked for his heroic qualities by the wisdom of Merlyn and Roma, who back him up, and he is able to draw on the possibilities and lessons to be learned from the other versions of Britain in parallel dimensions, and on the legendary Celtic magic of Otherworld.

I believe a Captain Britain tv series should be made in Britain. In the context of Brexit and renewed soul-searching up and down the country about national identity, I think funnily enough that the country actually needs one. 

Just as, in his time, Captain America has been a prism through which writers have viewed the politics of their country, a national British superhero series could also act as a focus for our national hopes and anxieties to play themselves out. 

For example the tv series Sherlock and Dr Who both have a wit and dynamism that energises British themes and experiments imaginatively with quintessentially British icons. These echo throughout the world and are wildly successful.

With fantasy, it's possible to project and reflect different extensions of modern real-world trends without being didactic or partisan. That would never do.

Captain Britain is a cipher. A powerful vehicle for playing harmlessly but fruitfully with ideas about British culture now and in the past and even in the future. 

As for the man behind that mask.... what would he think of all this himself?

Now there is a good question....

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[David Thorpe is the writer of Marvel's Captain Britain, the sci-fi YA novels Hybrids, Doc Chaos: The Chernobyl Effect and the cli-fi fantasy Stormteller.]

My writing course can be taken online. Contact me if interested.