A note on the context of the writing of The Drowning, and the philosophical approach I'm taking to conceiving and writing the book.
It touches on the theme of how 'nature' is a human cultural construct - cf Simon Schama's brilliant book Landscape and Memory.
The two main characters in my novel epitomise opposing attitudes to 'nature':
• as a place in which you must survive, and therefore understand and know how to use, and
• as an unknown out-there-ness.
Climate change in my book presents a crisis that suggests to the reader that enduring, but changing, nature puts the brief period of human 'civilisation' in its tiny context.
The book does this partly by using Welsh mythology and updating it.